Yahoo奇摩 網頁搜尋

搜尋結果

  1. en.wikipedia.org › wiki › TaiwanTaiwan - Wikipedia

    Taiwan,[II][k] officially the Republic of China (ROC),[I][l] is a country[27] in East Asia.[o] It is located at the junction of the East and South China Seas in the northwestern Pacific Ocean, with the People's Republic of China (PRC) to the northwest, Japan to the northeast, and the Philippines to the south. The territories controlled by the ...

  2. en.wikipedia.org › wiki › Cold_WarCold War - Wikipedia

    The Cold War was a period of geopolitical tension between the United States and the Soviet Union and their respective allies, the Western Bloc and the Eastern Bloc, that started in 1947, two years after the end of World War II and lasted to 1991, the fall of the Soviet Union. The term cold war is used because there was no large-scale fighting ...

    • Context
    • Description
    • Creation
    • Reading Direction
    • Western Influence on The Work
    • Prints in The World
    • Influence
    • External Links

    Ukiyo-e art

    Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica. The term ukiyo-e(浮世絵) translates as "picture[s] of the floating world". After Edo (now Tokyo) became the seat of the ruling Tokugawa shogunate in 1603, the chōnin class o...

    Artist

    Katsushika Hokusai was born in Katsushika, Japan, in 1760 in a district east of Edo. He was the son of a shogun mirrormaker, and at the age of 14, he was named Tokitarō. As Hokusai was never recognised as an heir, it is likely his mother was a concubine. Hokusai began painting when he was six years old, and when he was twelve his father sent him to work in a bookstore. At sixteen, he became an engraver's apprentice, which he remained for three years while also beginning to create his own illu...

    The Great Wave off Kanagawa is a landscape-format yoko-e print that was produced in an ōban size of 25 cm × 37 cm (9.8 in × 14.6 in).The landscape is composed of three elements: a stormy sea, three boats, and a mountain. The artist's signature is visible in the upper left-hand corner.

    Hokusai faced numerous challenges during the composition of The Great Wave off Kanagawa. In 1826, whilst in his sixties, he suffered financial difficulty, and in 1827 apparently suffered a serious health problem, probably a stroke. His wife died the following year, and in 1829 he had to rescue his grandson from financial problems, a situation that ...

    The Japanese interpret The Great Wave off Kanagawa from right to left, emphasising the danger posed by the enormous wave. This is traditional for Japanese paintings, as Japanese script is also read from right to left. Analyzing the boats in the image, particularly that at the top, reveals the slender, tapering bow faces left, implying the Japanese ...

    Perspective

    The concept of perspective prints arrived in Japan in the 18th century. These prints rely on a single-point perspective rather than a traditional foreground, middle ground, and background, which Hokusai consistently rejected.Objects in traditional Japanese painting and Far Eastern painting in general were not drawn in perspective but rather, as in ancient Egypt, the sizes of objects and figures were determined by the subject's importance within the context. Perspective, which was first used i...

    "Blue revolution"

    During the 1830s, Hokusai's prints underwent a "blue revolution", in which he made extensive use of the dark-blue pigment Prussian blue. He used this shade of blue for The Great Wave off Kanagawa with indigo, the delicate, quickly fading shade of blue that was commonly used in ukiyo-eworks at the time. Prussian blue, also known in Japanese at the time as Berlin ai(ベルリン藍, abbreviated to bero ai (ベロ藍), literally "Berlin indigo"), was imported from Holland beginning in 1820,and was extensively u...

    About 1,000 copies of The Great Wave off Kanagawa were initially printed, resulting in wear in later editions of print copies. It is estimated approximately 8,000 copies were eventually printed.[b] As of 2022[update], about 100 copies are known to survive.[c] The first signs of wear are in the pink and yellow of the sky, which fades more in worn co...

    Western culture

    After the 1868 Meiji Restoration, Japan ended a long period of isolation and opened to imports from the West. In turn, much Japanese art was exported to Europe and America, and quickly gained popularity. The influence of Japanese art on Western culture became known as Japonisme. Japanese woodblock prints inspired Western artists in many genres, particularly the Impressionists. As the most famous Japanese print, The Great Wave off Kanagawa influenced great works: in painting, works by Claude M...

    In popular culture

    Wayne Crothers, the curator of a 2017 Hokusai exhibition at the National Gallery of Victoria, described The Great Wave off Kanagawa as "possibly the most reproduced image in the history of all art" while the Wall Street Journal's Ellen Gamerman wrote it "may be the most famous artwork in Japanese history". Hiroshige paid homage to The Great Wave off Kanagawa with his print The Sea off Satta in Suruga Province while French artist Gustave-Henri Jossot produced a satirical painting in the style...

    Media

    Special television programmes and documentaries about The Great Wave off Kanagawa have been produced; these include the 30-minute, French-language documentary La menace suspendue: La Vague (1995) and a 2004 English-language special programme part of the BBC series The Private Life of a Masterpiece. The Great Wave off Kanagawa is also the subject of the 93rd episode of the BBC radio series A History of the World in 100 Objects produced in collaboration with the British Museum, which was releas...

    Media related to The Great Wave off Kanagawa by Katsushika Hokusaiat Wikimedia Commons 1. The Metropolitan Museum of Art's (New York) entry on The Great Wave at Kanagawa 2. "Hokusai's 'The Great Wave'"—Episode from the BBC show A History of the World in 100 Objects 3. Study of original work opposed to various copies from different publishers 4. The...

  3. v. t. e. The fall of Saigon [9] was the capture of Saigon, the capital of South Vietnam, by North Vietnam on 30 April 1975. The event marked the end of the Vietnam War and the collapse of the South Vietnamese state, leading to a transition period and the formal reunification of Vietnam into the Socialist Republic of Vietnam under communist rule ...

  4. en.wikipedia.org › wiki › WikipediaWikipedia - Wikipedia

    Wikipedia[note 3] is a free content online encyclopedia written and maintained by a community of volunteers, known as Wikipedians, through open collaboration and the use of the wiki-based editing system MediaWiki. Wikipedia is the largest and most-read reference work in history.[3][4] It is consistently ranked as one of the ten most popular ...

  5. en.wikipedia.org › wiki › EarthquakeEarthquake - Wikipedia

    An earthquake is the shaking of the surface of Earth resulting from a sudden release of energy in the lithosphere that creates seismic waves. Earthquakes may also be referred to as quakes, tremors, or temblors. The word tremor is also used for non-earthquake seismic rumbling . In its most general sense, an earthquake is any seismic event ...

  6. The saying holds that the world is supported by an infinite stack of increasingly larger turtles. " Turtles all the way down " is an expression of the problem of infinite regress. The saying alludes to the mythological idea of a World Turtle that supports a flat Earth on its back. It suggests that this turtle rests on the back of an even larger ...