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  1. A folding screen, also known as pingfeng (Chinese: 屏風; pinyin: píngfēng), is a type of free-standing furniture consisting of several frames or panels, which are often connected by hinges or by other means. They have practical and decorative uses, and can be

  2. Shōrin-zu byōbu. Pine trees ( 松林図) by Hasegawa Tōhaku. The Pine Trees screen (松林図 屏風, Shōrin-zu byōbu) is a pair of six-panel folding screens ( byōbu) by the Japanese artist Hasegawa Tōhaku (長谷川 等伯), founder of the Hasegawa school of Japanese art.

  3. Cypress Trees screen. Cypress Trees (檜図, hinoki-zu) is a Kanō-school byōbu or folding screen attributed to the Japanese painter Kanō Eitoku (1543–1590), one of the most prominent patriarchs of the Kanō school of Japanese painting. The painting dates to the Azuchi–Momoyama period (1573–1615). Now in Tokyo National Museum, it has ...

  4. en.wikipedia.org › wiki › ByōbuByōbu - Wikipedia

    Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595. Byōbu (屏風, lit. 'wind wall') are Japanese folding screens made from several joined panels, bearing decorative painting and calligraphy, used to separate interiors and enclose private spaces, among other uses.

  5. Still, the influence of Sesshū is evident in many of Tōhaku's mid to late works, such as his Shōrin-zu byōbu (松林図 屏風, Pine Trees screen), which were declared a national treasure of Japan are argued to be the first paintings of their scale to depict only pine

  6. Flowering Plants of Summer and Autumn (夏秋草図屏風) is a painting on a pair of two-folded byōbu folding screens by Rinpa artist Sakai Hōitsu depicting plants and flowers from the autumn and summer seasons. Sakai Hōitsu (1761–1828) was a celebrated Japanese painter and an important member of the Rinpa school, particularly famous for his byōbu screens and for reviving the style of ...

  7. A group plays a sugoroku board game in a detail of the Hikone screen. The Hikone screen (彦根屏風, Hikone byōbu) is a Japanese painted byōbu folding screen of unknown authorship made during the Kan'ei era ( c. 1624–44 ). The 94-×-274.8-centimetre (37.0 × 108.2 in) screen folds in six parts and is painted on gold-leaf paper.

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