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Biography House in Venice where Nono was born, at Ponte Longo, Fondamenta delle Zattere [], Dorsoduro Early years Nono, born in Venice, was a member of a wealthy artistic family; his grandfather was a notable painter. Nono began music lessons with Gian Francesco Malipiero at the Venice Conservatory in 1941, where he acquired knowledge of the Renaissance madrigal tradition, amongst other styles.
Como una ola de fuerza y luz (Spanish for Like a wave of strength and light) is a composition for soprano, piano, orchestra, and magnetic tape by Italian composer Luigi Nono. It was composed between 1971 and 1972 and was Nono's first attempt at giving the piano a leading role in a composition.
Intolleranza 1960 ( Intolerance 1960) is a one-act opera in two parts ( azione scenica in due tempi) by Luigi Nono, and is dedicated to his father-in-law, Arnold Schoenberg. The Italian libretto was written by Nono from an idea by Angelo Maria Ripellino, [1] using documentary texts and poetry by Julius Fučík, "Reportage unter dem ...
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(Italian: "serene waves suffered" or "endured"), ALN 42, is a composition for piano and tape by Italian composer Luigi Nono. Borne of Nono's friendship and artistic collaboration with Maurizio Pollini, it was the first of Nono's works in what became his late style.
Noêmia Lellis Marques Felippe (born 18 October 1997), known professionally as Nonô or Nonô Lellis, is a Brazilian musician.She is best known for her appearances on the third series of The Voice Brasil.Born in Rio de Janeiro and later moving to São Paulo, she began uploading social media content aged ten, before applying for the third series of The Voice Brasil, on which she was a semi ...
The following is a complete list of works composed by Italian avant-garde composer Luigi Nono. All works are sorted chronologically: Due liriche greche, for mixed chorus and instrumental ensemble (1948) Variazioni canoniche sulla serie dell’op. 41 di Arnold Schoenberg (1950) Polifonica – Monodia – Ritmica, for ensemble (1951)
Prometeo ( Prometheus) is an "opera" by Luigi Nono, written between 1981 and 1984 and revised in 1985. Here the word "opera" carries the generic Italian meaning of "works", as in work of art, and not its usual meaning in English. Indeed, Nono scornfully labels Prometeo a "tragedia dell'ascolto", a tragedy of listening.
