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    • 1896

      Image courtesy of jud-hiroshima.com

      圖片: jud-hiroshima.com

      • Cinema was first introduced to Japan in 1896 when the Kinetoscope, invented by Thomas Edison three years earlier, was imported to Kobe. The first public showing of a film was held on 25 November. This was soon followed by showings in Osaka, Tokyo and the rest of Japan.
      www.matsudafilm.com/matsuda/c_pages/c_c_1e.html
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  2. The decade started with Akira Kurosawa's Rashomon (1950), which won the Golden Lion at the Venice Film Festival in 1951 and the Academy Honorary Award for Best Foreign Language Film in 1952, and marked the entrance of Japanese cinema onto the world

  3. Cinema was first introduced to Japan in 1896 when the Kinetoscope, invented by Thomas Edison three years earlier, was imported to Kobe. The first public showing of a film was held on 25 November. This was soon followed by showings in Osaka, Tokyo and the rest of Japan.

  4. 2019年10月9日 · The history of Japanese cinema began more than a hundred years ago. Today it is the forth-biggest film industry in the world. Only America, India and China produce more films. Still, there are made more than 600 films in Japan each year.

  5. The decade started with Akira Kurosawa's Rashomon (1950), which won the Academy Award for Best Foreign Language Film and marked the entrance of Japanese cinema onto the world stage. It was also the breakout role for legendary star, Toshiro Mifune.

  6. Japan acquired Taiwan from the Qing Empire after winning the Sino-Japanese War in 1895—the same year that the Lumière brothers invented the cinema. This tells us that Japanese modernity and Taiwanese colonization ran parallel to Japanese film history.

  7. 2024年9月17日 · Japanese cinema began in the late 19th century, influenced heavily by traditional theater forms such as Kabuki and Noh. During the silent era, Japanese filmmakers developed their own cinematic language, distinct from Western traditions.

  8. 2019年4月15日 · What Is Japanese Cinema? is a concise and lively history of Japanese film that shows how cinema tells the story of Japan’s modern age. Discussing popular works alongside auteurist masterpieces, Yomota Inuhiko considers films in light of both Japanese cultural particularities and cinema as a worldwide art form.