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Auvers-sur-Oise (French pronunciation: [ovɛʁ syʁ waz] , lit. "Auvers-on-Oise") is a commune in the department of Val-d'Oise, on the northwestern outskirts of Paris, France. It is located 27.2 km (16.9 mi) from the centre of Paris. It is associated with several
- 21–111 m (69–364 ft)
- Val-d'Oise
The Auberge Ravoux is a French historic landmark located in the heart of the village of Auvers-sur-Oise. [1] . It is known as the House of Van Gogh ( Maison de Van Gogh) because the Dutch painter Vincent van Gogh spent the last 70 days of his life as a lodger at the auberge.
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Description. History. Provenance. Theft. Investigation. See also. Notes. References. View of Auvers-sur-Oise is the common English name for a Paul Cézanne painting known by various French names, usually Paysage d'Auvers-sur-Oise, or in the artist's catalogue raisonné, Groupe de maisons, paysage d'île de France. [1] .
The church in 2006. The Church at Auvers is an oil painting created by Dutch post-impressionist artist Vincent van Gogh in June 1890 which now hangs in the Musée d'Orsay in Paris, France. The actual church is in Place de l'Eglise, Auvers-sur-Oise, France, 27 kilometres (17 mi) north-west of Paris.
- 74 cm × 94 cm (37 in × 29.1 in)
- Vincent van Gogh
- 1890
National Museum Cardiff. Landscape at Auvers in the Rain is an oil painting on canvas by the Dutch Post-Impressionist painter Vincent van Gogh . Painted in July 1890, and completed just three days before his death, it depicts a landscape at Auvers-sur-Oise, where van Gogh spent the last 70 days of his life. [2]
Auvers-sur-Oise. The pastoral Auvers-sur-Oise region of hills, fields, gardens and cottages attracted artists to it and the surrounding area. Starting in 1850 a railroad line facilitated travel from Auvers from Paris. Artists who came to the area to paint included the Impressionists Armand Guillaumin, Camille Pissarro and Paul Cézanne. [1] [3]
Farms near Auvers or Thatched Cottages by a Hill is an oil painting by Vincent van Gogh that he painted in July 1890 when he lived in Auvers-sur-Oise, France. [1] [2] The painting is an example of the double-square canvases that he employed in his last landscapes. [3]
