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  1. Columbia Records - Wikipedia

    en.wikipedia.org › wiki › Columbia_Records

    Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese conglomerate Sony.It was founded on January 15, 1889, evolving from the American ...

    • January 15, 1889; 132 years ago (as Columbia Phonograph Company)
    • Edward D. Easton
  2. List of Columbia Records artists - Wikipedia

    en.wikipedia.org › wiki › List_of_Columbia_Records_artists

    A partial listing of recording artists who currently or formerly recorded for Columbia Records (known in most of the world as CBS Records prior to 1991) include the following list. Please make a note if recordings were only leased from another ...

  3. Columbia Record - Wikipedia

    en.wikipedia.org › wiki › Columbia_Record

    The Columbia Record was an afternoon daily newspaper published in Columbia, South Carolina. It was established in 1897. International Paper & Power Co. purchased The Record in 1929 from R. Charlton Wright, who had been principal owner since ...

  4. Category:Columbia Records - Wikipedia

    en.wikipedia.org › wiki › Category:Columbia_Records

    Pages in category "Columbia Records" The following 40 pages are in this category, out of 40 total. This list may not reflect recent changes ().This page was last edited on 28 September 2020, at 09:26 (UTC). Text is available under the ...

  5. Category:Columbia Records albums - Wikipedia

    en.wikipedia.org › wiki › Category:Columbia_Records_albums

    It should only contain pages that are Columbia Records albums or lists of Columbia Records albums, as well as subcategories containing those things (themselves set categories). Topics about Columbia Records albums in general should be placed in ...

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  7. Columbia Masterworks Records - Wikipedia

    en.wikipedia.org › wiki › Columbia_Masterworks_Records
    • History
    • Broadway Albums
    • Electronic Music
    • 1980 and Later

    When Columbia Records undertook the project of releasing great classical music for domestic sale in America, the label was still a year away from an "electrical" recording process. In November 1924, the first eight releases had been recorded acoustically. These first eight sets included five symphonic recordings—Beethoven's Seventh and Eighth Symphonies, Dvorak's "From the New World", Mozart's E-Flat Major (No. 39), and Tchaikovsky's "Pathetique". Three recordings by quartets were also part of that initial offering.More releases followed in March 1925, and a staggering 18 sets were added that fall. The prices of these sets varied with the number of included discs, from $4.50 to $10.50. Under the leadership of Columbia's president Goddard Lieberson, who later added the rest of the Columbia label to his portfolio, a great many notable classical artists made contributions to the Columbia Masterworks library, such as the conductors Leonard Bernstein, Eugene Ormandy and George Szell; pia...

    In addition to classical music, Columbia also issued cast recordings, soundtrack albums, and spoken-word recordings under the Masterworks name. One of the first spoken word albums of historical significance was the Masterworks release of ten scenes from the Mercury Theatre's Broadway production of Caesar (Columbia Masterworks Set No. 325), recorded in March 1938:340 and released in 1939.:349 Sales were such that Columbia engaged Welles and the Mercury Theatre to produce four Shakespeare plays (Twelfth Night, The Merchant of Venice, Julius Caesar and Macbeth) for the phonograph in 1939 and 1940. The sets were opulently bound and included a hardcover book.:339–341 The first wildly successful spoken word album was a 1948 Masterworks entry, the first I Can Hear It Now album (Columbia M-800 and ML-4095), edited by Edward R. Murrow and Fred W. Friendly and supervised by former CBS staffer J.G. Gude. The album would lead to three sequels, the Hear It Now program on the CBS Radio Network in...

    Another genre that Columbia Masterworks released some seminal albums in was electronic music. Early 1964 saw the release of Columbia-Princeton Electronic Music Center, a compilation of avant-garde electronic compositions created at the famed studio by Bulent Arel, Milton Babbitt, Vladimir Ussachevsky, and others. In 1968, Wendy Carlos's landmark electronic-music album Switched-On Bach, containing transcriptions of a number of Bach's most famous compositions for the Moog synthesizer, was issued on Columbia Masterworks, which continued to release Carlos's output until the mid-1980s. Terry Riley's A Rainbow in Curved Air was released in the summer of 1969. Morton Subotnick's Sidewinder followed in 1971. The label also released several other lesser classical-meets-synthesiser albums in the wake of the Switched-On Bachsuccess.

    Columbia Masterworks was renamed CBS Masterworks Records in 1980 and separated from the Columbia label. In 1990, it was renamed Sony Classical Records because of the sale of CBS Records to the Sony Corporation. The Masterworks name lives on in the label's Broadway album label, Masterworks Broadway Records as well as the name of the label's parent Sony Masterworks.

    • 1980
    • New York City
  8. Columbia House - Wikipedia

    en.wikipedia.org › wiki › Columbia_Record_Club
    • History
    • Business Practices
    • Better Business Bureau Rating
    • External Links

    Rapid growth

    Columbia Record Club was formed in 1955 by CBS/Columbia Records as an experiment to market music directly by mail, spurring sales to rural consumers and heading off competition from mail-order companies from outside the record industry. New members to the club were enticed with a free record just for joining. To appease brick-and-mortar retailers, titles in the club's catalog were only made available six months (later, three months) after retail release, and retailers that helped recruit memb...

    Licensing

    In the late 1950s, both RCA Victor and Capitol Recordsbegan licensing programs of their own, but the three record clubs rarely allowed any of their own labels' releases to be marketed by rivals. For example, Columbia recordings were not available from the RCA Victor Record Club, and RCA recordings were unavailable through the Columbia Record Club. In 1958, facing the loss of members who wanted a wider variety of records, the club began manufacturing and marketing records for certain competing...

    New formats and the rise of the Columbia House brand

    The Columbia Record Club began marketing stereo records and equipment in 1959, reel-to-reel recordings (via the Columbia Reel-To-Reel Club) in 1960, 8-track cartridges (via the Columbia Cartridge Club) in 1966, and cassettes (via the Columbia Cassette Club) in 1969. The Columbia Record Club was also notable in continuing to issue product in formats no longer available on the commercial market. After the major record labels quit releasing albums on reel to reel tape format, Columbia still cont...

    Since Columbia House's beginnings, following the sale of Columbia House to BMG, and continuing after the sale to Direct Brands, Columbia House has attracted criticism for its business practices, some of which are outlined here:

    As of 2010, this business had an unsatisfactory rating with the BBB because of a failure to respond to complaints.This company also has an unsatisfactory record because of a pattern of complaints. Specifically, complainants allege receiving merchandise and/or bills for merchandise from BMG/Columbia House for CDs and/or DVDs that they did not order. Complainants further allege that they did not join BMG/Columbia House and do not know how the company obtained their information and that the company's phone line and website do not provide live customer service representatives to help resolve these issues.

  9. The Label - Wikipedia

    en.wikipedia.org › wiki › The_Label:_The_Story_of_Columbia_Records

    The Label: The Story of Columbia Records is a 2007 book by Gary Marmorstein, about the rise of Columbia Records. It covers how it made its way from the beginning: from signing its own artists, to making them celebrities. Quotes from the book In ...

  10. Columbia Graphophone Company - Wikipedia

    en.wikipedia.org › wiki › Columbia_Graphophone_Company
    • Early History
    • as An Emi Label
    • Phaseout of Label by Emi and Trade Mark Transfer
    • Current Ownership
    • See Also

    The Columbia Phonograph Company was originally founded in the US by Edward D. Easton in 1887, initially as a distributor with a local monopoly on sales and service of Edison phonographs and phonograph cylinders in Washington, D.C., Maryland, and Delaware. It also made its own compatible cylinder recordings. In 1901 Columbia began selling disc records (invented and patented by Emile Berliner of the Victor Talking Machine Company) and phonographs. For a decade, Columbia competed with both the Edison Phonograph Company cylinders and the Victor discs. Edison discs and Columbia's acoustic records both had a nominal playback speedof 80 rpm. From about 1898 until 1922 the US parent company managed a UK subsidiary, the Columbia Graphophone Manufacturing Company. In 1917 the Columbia Graphophone Companywas registered as a British company, with the shares being held by the American firm. A general market downturn in 1921 affected the whole entertainment industry. Profits turned to losses, and...

    EMI continued to operate the Columbia record label in the UK until the early 1970s, and in all other territories except for the US, Canada, Mexico, Spain and Japan, until it sold its remaining interest in the Columbia trademark to Sony Music Entertainmentin 1990. Under EMI, UK Columbia's releases were mainly licensed recordings from American Columbia until 1951 when American Columbia switched British distribution to Philips Records. UK Columbia continued to distribute American Columbia sister labels Okeh and Epic until 1968 when American Columbia's then parent CBS moved distribution of all its labels to the new CBS Records created from the purchase of Oriole Records (UK) in late 1964. The loss of American Columbia product had forced UK Columbia to groom its own talent such as Russ Conway, John Barry, Cliff Richard, the Shadows, Helen Shapiro, Frank Ifield, Rolf Harris, Freddie and the Dreamers, the Dave Clark Five, Shirley Bassey, Frankie Vaughan, Des O'Connor, Ken Dodd, the Animals...

    EMI decided to reserve the HMV label for classical repertoire and had transferred HMV's remaining pop acts to Columbia and Parlophone by 1967. EMI began to replace the Columbia label with the eponymous EMI Records in January 1973. The last Columbia single was issued in 1989. EMI sold its remaining interest in the Columbia name in 1990 to Sony Music Entertainment(formerly CBS Records Group), which already owned Columbia Records in the U.S. and Canada. The formal reassignment of British registered trade marks from EMI, including the "magic notes" logo, took place in 1993. For the Columbia Records trade mark in the UK and elsewhere, Sony Music now prefers the "walking eye" logo previously used by the old CBS Records, which is based on the Columbia Records logo introduced in the US and Canada in 1955. However, the "magic notes" logo is occasionally used, usually to give a 'retro' feel (such as on the 2016 vinyl reissues of Pink Floyd's Piper at the Gates of Dawn and A Saucerful of Secre...

    Through its ownership of the former Columbia/EMI catalogue, Parlophone Records' new owner Warner Music Group assumed Columbia's artist roster and catalogue. New reissues bear the Parlophone imprint. Columbia's reissues, and by extension, those from HMV's popular genres, are distributed by WMG's Rhino Entertainmentin the United States.

    • 1973; 48 years ago
    • Various
  11. Nippon Columbia - Wikipedia

    en.wikipedia.org › wiki › Nippon_Columbia
    • Other Information
    • Artists
    • Labels
    • Otorevo
    • Major Investors
    • External Links

    Aside from common historical roots, the current Nippon Columbia label has no direct relation with either the American Columbia Records (part of the Sony Music group in the United States and known in Japan as Sony Records International; Nippon Columbia was the licensee for the American Columbia Records up until 1968, when CBS/Sony (now Sony Music) was founded) or the British EMI group, of which the original Columbia Graphophone Co. was a part - the licensee for the British Columbia Graphophone Company was actually Toshiba Musical Industries (The EMI group was broken up in 2012; the current licensee for re-issues is Universal Music Japan). The label is notable, however, for continuing to use the historical Magic Notes logo, which has been associated with the Columbia name since the label's founding.

    Japanese People's Honour Award-winning singer Hibari Misora belonged to the label. This label is also known for dropping Ayumi Hamasaki, the best-selling solo artist in Japanese Oricon history (since 1968), before her rise to fame. It happened after her first single "Nothing from Nothing" and album of the same name flopped, due to little or no promotion. She subsequently met her current producer, Max Matsuura, who is now President of Avex. Also included in the roster: 1. Ichirō Fujiyama 2. Masao Koga 3. Tadaharu Nakano 4. Shizuko Kasagi 5. Akiko Futaba 6. Hisao Itō 7. Noboru Kirishima 8. Godiego 9. MADKID 10. ONEPIXCELL 11. Kiyoshi Hikawa 12. Kaela Kimura 13. Ulrik Munther (Japan only) 14. not yet 15. Yoshiki 16. Laboum 17. ATEEZ 18. Mayuka Thaïs 19. Kunimi Andrea 20. Teri Suzanne 21. Lovely Summer Chan

    Animex
    B-C (pronounced B to C)
    CME Records
    Columbia House

    In February 2006 Columbia Music Entertainment CEO Sadahiko Hirose hired Napster co-founder Jordan Ritter as executive advisor to the CEO. In April 2006, Ritter became CTO[citation needed]and formed the Red Dove (R&D) division, focusing on reducing costs and improving efficiency of internal operations, while developing new spinout companies that proved better approaches to the most expensive aspects of CME's business. In 2007, Ritter hired Ejovi Nuwere into CME, and together they began building a Japanese-based, competition-oriented promotional platform for new artists called OtoRevo. The premise of the project was to prove a more cost- and time-efficient model for discovering viable artists to join the label. Despite the measurable successes of Otorevo,the CME board of directors voted to terminate all R&D projects in March 2008.

    Major investors included Faith Inc. (31.20%), Daiichi Kosho Company (4.75%), Japan Securities Finance Co., Ltd. (2.13%), Sumitomo Trust and Banking (0.95%), Nomura Securities (0.75%), Rakuten Securities(0.64%) and Fukoku Mutual Life Insurance Company (0.59%). In 2017, Faith Inc. acquired the rest of Nippon Columbia stocks, making it a wholly owned subsidiary,

    • Self-distributed (in Japan)
    • Fredrick W. Horn
    • October 1, 1910; 110 years ago
    • Various
  1. Columbia Records wikipedia 相關
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