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  1. en.wikipedia.org › wiki › AntiheroAntihero - Wikipedia

    An antihero (sometimes spelled as anti-hero) or antiheroine is a main character in a narrative (in literature, film, TV, etc.) who may lack some conventional heroic qualities and attributes, such as idealism, courage, and morality.

  2. This list is for characters in fictional works who exemplify the qualities of an antihero – a protagonist or supporting character whose characteristics include the following: imperfections that separate them from typically heroic characters (such as selfishness, cynicism, ignorance, and bigotry); [1]

    Character
    Work
    Author
    First Published
    Fifty Shades of Grey Fifty Shades Darker ...
    2011–2021
    2007–present
    2005
    Darkly Dreaming Dexter Dearly Devoted ...
    2004–2015
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  4. The reluctant hero is a heroic archetype typically found in fiction. The reluctant hero is typically portrayed either as an everyman forced into surreal situations which require him to rise to heroism and its acts, or as a person with special abilities who nonetheless reveals a desire to avoid using those abilities for selfless benefit.

  5. en.wikipedia.org › wiki › Byronic_heroByronic hero - Wikipedia

    • Origins
    • Public Reaction and Following
    • Literary Usage and Other Influences
    • Byronic Heroine
    • See Also
    • References
    • External Links

    The initial version of the type in Byron's work, Childe Harold, draws on a variety of earlier literary characters including Hamlet, Goethe's Werther (1774), and William Godwin's Mr. Faulkland in Caleb Williams (1794); he was also noticeably similar to René, the hero of Chateaubriand's novella of 1802, although Byron may not have read this. Ann Radc...

    Admiration of Byron continued to be fervent in the years following his death, despite claims from author Peter L. Thorslev that the literary culture of the Byronic Hero "died in England almost with Byron". Notable fans included Alfred Tennyson: fourteen at the time of Byron's death, and so grieved at the poet's passing, he carved the words "Byron i...

    Byron's influence is manifest in many authors and artists of the Romantic movement and writers of Gothic fiction during the 19th century. Lord Byron was the model for the title character of Glenarvon (1816) by Byron's erstwhile lover Lady Caroline Lamb; and for Lord Ruthven in The Vampyre (1819) by Byron's personal physician, John William Polidori....

    There are also suggestions of the potential of a Byronic heroine in Byron's works. Charles J. Clancy argues that Aurora Raby in Don Juan possesses many of the characteristics typical of a Byronic hero. Described as "silent, lone" in the poem, her life has indeed been spent in isolation – she has been orphaned from birth. She validates Thorslev's as...

    Amis, Kingsley. The James Bond Dossier. Jonathan Cape, 1965.
    Christiansen, Rupert, Romantic Affinities: Portraits From an Age, 1780–1830, 1989, Cardinal, ISBN 0-7474-0404-6
    Clancy, Charles J. (1979). "Aurora Raby In Don Juan: A Byronic Heroine". Keats-Shelley Journal. 28. New York: Keats-Shelley Association Of America: 28–34. JSTOR 30212839.
    Dumas, Alexandre (1844). The Count Of Monte Cristo. Hertforshire: Wordsworth Classics. ISBN 978-1-85326-733-8.
  6. en.wikipedia.org › wiki › Anti-VenomAnti-Venom - Wikipedia

    Anti-Venom is a fictional antihero appearing in Comic books published by Marvel Comics. It first appeared in The Amazing Spider-Man #569 (August 2008), and was created by Dan Slott and John Romita Jr. [1] The creature belongs to a race of amorphous extraterrestrial parasites known as the Symbiotes and is regarded as Venom 's ...

  7. en.wikipedia.org › wiki › ProtagonistProtagonist - Wikipedia

    An antihero (sometimes spelled as anti-hero) or antiheroine is a main character in a story who lacks conventional heroic qualities and attributes such as idealism, courage, and morality. Examples include Holden Caulfield from The Catcher in the Rye , Scarlett O'Hara from Gone With the Wind and Jay Gatsby from The Great Gatsby .

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