搜尋結果
The entertainment industry has already had to say goodbye to several actors, singers, performers, creatives, executives and all-around industry legends this year. The Hollywood Reporter is ...
- Best Picture
- Best Director
- Best Actor
- Best Actress
- Best Supporting Actor
- Best Supporting Actress
- Best Adapted Screenplay
- Best Original Screenplay
- Best Animated Feature
- Best Documentary Feature
A lot of the fanfare around Avatar: The Way of Water comes from the backstory — how long it took to make, et cetera — rather than the actual quality of the movie. Women Talking was not bad — the acting and directing were really good — but I didn’t love it. I enjoyed The Fabelmans — [Steven] Spielberg did his Spielberg thing and directed the hell ou...
Tár [directed by Todd Field] is more about the performance than the directing and Banshees [directed by Martin McDonagh] is more about the writing than the directing. Ruben [Östlund] put a real stamp on Triangle. Steven did an amazing job with The Fabelmans, and it’s cool that it’s such a personal story. But what the Daniels [Everything Everywhere’...
Paul Mescal [of Aftersun] is out immediately — he’s a great actor, but I’m confused about all the excitement over that movie. Bill Nighy is so great in Living and Colin [Farrell] is so great in Banshees. After I saw The Whale, Brendan Fraser being my choice. And then I sat down and watched Elvis, and I was so blown away by Austin Butler’s performan...
I would’ve definitely put Danielle Deadwyler [for Till] above Michelle Williams [for The Fabelmans] or Ana de Armas [for Blonde] — it felt like nobody cared about Blonde after it came out, so I was really surprised that she got nominated. I’d heard about Andrea Riseborough and To Leslie before the nominations, only because I kept seeing Academy mem...
I watched most of Causeway, but it was too slow, even though Brian Tyree [Henry] is incredible in everything. Judd Hirsch was great [in The Fabelmans], but that’s such a small part that I was surprised he even got nominated. I don’t know how to pick between the two Banshees guys [Barry Keoghan and Brendan Gleeson] — Brendan had a larger role, but B...
Kerry [Condon of The Banshees of Inisherin] and Hong Chau [of The Whale] were fine. I think Jamie Lee Curtis could win for Everything Everywhere — she’s been a part of Hollywood since she was a child — even though Stephanie Hsu was better in the movie. But I’m hoping that the Academy stops treating Marvel movies like second-class citizens and recog...
The Top Gun script was probably the weakest. Women Talking’s script was strong. Living’s was great. I loved All Quiet and it’s hard to not acknowledge it here. But I had to pick Glass Onion [A Knives Out Mystery] because the movie was so much fun and this is the only place I can recognize it. They sent us the actual script and I looked it over and ...
The Fabelmans script was fine. I really liked the Banshees, Tár and Triangle of Sadness scripts. But this one is Everything Everywhere by a mile. I couldn’t have come up with that concept in a million years. The term is “original screenplay,” and if you can’t call Everything Everywherethe most original of this group, then nothing means anything. VO...
I didn’t see The Sea Beast or Marcel the Shell With Shoes On. I liked Turning Red. If Guillermo del Toro hadn’t made Pinocchio this year, Puss in Bootswould’ve deserved to win — it’s so good — but he did. I love Guillermo, and I loved the animation and the way he told the story. VOTE: Guillermo del Toro’s Pinocchio
I was sad to not see Retrograde in there — if dodging bullets in Afghanistan at the end of the war there can’t get you an Oscar nomination, then I don’t know anymore. I haven’t seen A House Made of Splinters. All That Breathes was so boring that I’m floored that that’s what the documentary community went for; someone needs to explain that to me. Fi...
