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Exoticism. Legacy. Moreau and surrealism. Gallery. Oil paintings. Watercolors. See also. References. External links. Gustave Moreau ( French: [mɔʁo]; 6 April 1826 – 18 April 1898) was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence". [1] : 110 p.
Oedipus and the Sphinx is an 1864 oil on canvas painting by Gustave Moreau that was first exhibited at the French Salon of 1864 where it was an immediate success. It is now in the Metropolitan Museum of Art.
- 206 cm (81 in) × 105 cm (41 in)
- Gustave Moreau
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The Musée national Gustave Moreau (English: National Gustave Moreau Museum) is an art museum dedicated to the works of Symbolist painter Gustave Moreau (1826–1898). It is located in the 9th arrondissement of Paris at 14, rue de la Rochefoucauld, Paris , France .
- Paintings, designs, sculptures
- Paris, France
- 14/01/1903
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Jupiter et Sémélé (1894–95; English, Jupiter and Semele) is a painting by the French Symbolist artist Gustave Moreau (1826–1898). It depicts a moment from the classical myth [1] of the mortal woman Semele, mother of the god Dionysus, and her lover, Jupiter, the king of the gods.
- 213 cm × 118 cm (83.8 in × 46.5 in)
- Gustave Moreau
- 1894–95
The Apparition, Gustave Moreau, 1876. watercolor. Musée d'Orsay, Paris. The Apparition (French: L'Apparition) is a painting by French artist Gustave Moreau, painted between 1874 and 1876. It shows the biblical character of Salome dancing in front of Herod Antipas with a vision of John the Baptist 's severed head.
Salome Dancing before Herod (French: Salomé dansant devant Hérode) is an oil painting produced in 1876 by the French Symbolist artist Gustave Moreau. The subject matter is taken from the New Testament , depicting Salome —the daughter of Herod II and Herodias —dancing before Herod Antipas .
The Mystic Flower is an oil-on-canvas painting by the French Symbolist painter Gustave Moreau, created c. 1890. A religious work, it was inspired by Carpaccio 's Apotheosis of Saint Ursula, which Moreau was able to copy during his stay in Venice.
