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Leonardo di ser Piero da Vinci [b] (15 April 1452 – 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. [3] .
- Studio of Andrea del Verrocchio
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists. Only around eight major works— The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse ...
Title And ImageDateMediumDimensions [1]1472–1476 c. 1472–1476 [d 1]Oil and tempera on poplar panel98 cm × 217 cm 39 in × 85 in1472–1478 c. 1472–1478 [d 2]Oil on poplar panel62 cm × 47.5 cm 24.4 in × 18.7 in1474–1478 c. 1474–1478 [d 3]Oil and tempera on poplar panel177 cm × 151 cm 70 in × 59 in1474–1480 c. 1474–1480 [d 4]Oil and tempera on poplar panel38.8 cm × 36.7 cm 15.3 in × 14.4 in- Accepted by most modern scholars; still controversial
- Accepted by large majority of modern scholars; controversial in the past
- Unanimously accepted works
The Mona Lisa ( / ˌmoʊnə ˈliːsə / MOH-nə LEE-sə; Italian: Gioconda [dʒoˈkonda] or Monna Lisa [ˈmɔnna ˈliːza]; French: Joconde [ʒɔkɔ̃d]) is a half-length portrait painting by Italian artist Leonardo da Vinci.
- 77 cm × 53 cm (30 in × 21 in)
- Leonardo da Vinci
- c. 1503–1506, perhaps continuing until c. 1517
- Louvre, Paris
The Italian polymath Leonardo da Vinci drew his design for an "aerial screw" in the late 1480s, while he was employed as a military engineer by Ludovico Sforza, Duke of Milan from 1494 to 1499.
- Painting
- History
- In Culture
- Other Speculation
- See Also
- Bibliography
- Further Reading
- External Links
Commission and creation
The Last Supper measures 460 cm × 880 cm (180 in × 350 in) and covers an end wall of the dining hall at the monastery of Santa Maria delle Grazie in Milan, Italy. The theme was a traditional one for refectories, although the room was not a refectory at the time that Leonardo painted it. The main church building was still under construction while Leonardo was composing the painting. Leonardo's patron, Ludovico Sforza, planned that the church should be remodeled as a family mausoleum. To this e...
Medium
Leonardo, as a painter, favoured oil painting, a medium which allows the artist to work slowly and make changes with ease. Fresco painting does not facilitate either of these objectives. Leonardo also sought a greater luminosity and intensity of light and shade (chiaroscuro) than could be achieved with fresco, in which the water-soluble colours are painted onto wet plaster, laid freshly each day in sections. Rather than using the proven method of painting on walls, Leonardo painted The Last S...
Subject
The Last Supper portrays the reaction given by each apostle when Jesus said one of them would betray him. All twelve apostles have different reactions to the news, with various degrees of anger and shock. The apostles were identified by their names, using an unsigned, mid-sixteenth-century fresco copy of Leonardo's Cenacolo.Before this, only Judas, Peter, John and Jesus had been positively identified. From left to right, according to the apostles' heads: 1. Bartholomew, James, son of Alphaeus...
Early copies
Two early copies of The Last Supper are known to exist, presumed to be work by Leonardo's assistants. The copies are almost the size of the original, and have survived with a wealth of original detail still intact. One, by Giampietrino, is in the collection of the Royal Academy of Arts, London, and the other, by Cesare da Sesto, is installed at the Church of St. Ambrogio in Ponte Capriasca, Switzerland. A third copy (oil on canvas) is painted by Andrea Solari (c. 1520) and is on display in th...
Damage and restorations
Because Sforza had ordered the church to be rebuilt hastily, the masons filled the walls with moisture-retaining rubble. The painting was done on a thin exterior wall, so the effects of humidity were felt keenly, and the paint failed to properly adhere to it. Because of the method used, soon after the painting was completed on 9 February 1498 it began to deteriorate. In 1499, Louis XII contemplated removing the painting from the wall and taking it to France. As early as 1517, the painting was...
The Last Supperhas frequently been referenced, reproduced, or parodied in Western culture. Some of the more notable examples are:
The Last Supper has been the target of much speculation by writers and historical revisionists alike, usually centered on purported hidden messages or hints found within the painting, especially since the publication of Dan Brown's novel The Da Vinci Code (2003), in which one of the characters suggests that the person to Jesus' right (left of Jesus...
Wallace, Robert (1972) [1966]. The World of Leonardo: 1452–1519. New York: Time-Life Books.[ISBN missing]
Bertelli, Carlo (November 1983). "Restoration Reveals The Last Supper". National Geographic. Vol. 164, no. 5. pp. 664–684. ISSN 0027-9358. OCLC 643483454.- 460 cm × 880 cm (181 in × 346 in)
- Leonardo da Vinci
- c. 1495–1498
其他人也問了
Who was Leonardo da Vinci?
Who was Leonardo di Ser Piero da Vinci?
When did Leonardo da Vinci draw the Vitruvian Man?
Did Leonardo da Vinci paint the Last Supper?
Pen, brown ink and watercolor over metalpoint on paper. Dimensions. 34.4 cm × 24.5 cm (13.5 in × 9.6 in) Location. Gallerie dell'Accademia, Venice. The Vitruvian Man ( Italian: L'uomo vitruviano; [ˈlwɔːmo vitruˈvjaːno]) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490.
The Vitruvian Man, c. 1490 Leonardo da Vinci (1452–1519) was an Italian polymath, regarded as the epitome of the "Renaissance Man", displaying skills in numerous diverse areas of study.While most famous for his paintings such as the Mona Lisa and the Last Supper, Leonardo is also renowned in the fields of civil engineering, chemistry, geology, geometry, hydrodynamics, mathematics, mechanical ...
